Wednesday, October 17, 2012

Kinesthetic Intelligence



On Monday, night I was at the pottery studio. My friend has joined me for this term of pottery. It's her first time at the wheel, and she's experiencing the frustration and challenge of learning something new as an adult. The reality that you can't cognitively learn to throw, you have to have your hands learn.

She said something on our walk home that stuck with me: "I'm frustrated because I'm usually really good with making things."

I feel that way, too. I have a very vivid memory from kindergarten when I realized that I was good at making things. It's something that I absolutely know about myself, and has been a source of confidence throughout my life. So it was so interesting to hear Erin also voice this understanding of herself. I'm good at making things.

I spent this morning searching the internet for more on this idea, and I finally came up with a word for it... kinesthetic intelligence.

"Kinesthesia is our movement sense. It simply refers to an awareness of changes in momentum, balance, pressure and body position in general. It tells us all about how we are moving our bodies. Kinesthetic intelligence includes control of the bodily motions, the ability to handle objects skillfully and the gift for using whole body motions...This sort of high kinesthetic intelligence is what creates scientists, writers, artists, musicians, dancers, performers and other creative people that allow their minds and hands to move without any pre-planned format. While some are blessed with athletic abilities, others are gifted in fine-motor skills, such as drawing and crafts."


Discovering this word for me is like discovering the word dyslexia or feminist. It rings so loud and resonates so clearly. I feel like it's what I have been searching for writing this blog. Why designing on a computer feels like phone sex to me... totally distant and unsatisfying. Why I get my best ideas while running or swimming. Why making anything... dinner, a pair of clogs, or a new dress makes my brain light up and feel happy.

The Kinesthesic: we are the dancers, the builders, the surgeons, the yogis, the knitters, the engineers, the naturalists, the tailors, the cobblers, the cooks. Are you one too?


Tuesday, October 16, 2012

Normal



I remember when I first moved to America, I was struck by how everyone's teeth looked the same. To an American, English teeth are notoriously bad. But to English people, American teeth are generic. They have no personality. American's argue that teeth are put in their wire straight-jackets for health, but how often do you really hear of people dying from bad teeth? Are we to believe that British life-expectancy is shorter because we have crooked teeth. Teeth are straighted here because we've been taught that conformity is better.


Which leads me to think about this article by talking about mental illness and it's relationship to creativity. According to the study, mental illnesses such as anxiety and bipolar disorders, schizophrenia, unipolar depression, and substance abuse are linked to creative people. Writers are twice as likely to commit suicide than regular people.  Roberts suggests that the medical profession's tendancy to try to wipe out all irregularity is not doing the individual justice. That perhaps the ups and downs of bi-polar disorder are in fact useful to an artist.

I'm not saying that mental illness should be disregarded, but I do think it brings up a good point that perhaps we are trying to mentally 'normalize' people too much. I know that when I get a creative spark, I'm not totally sane... there's a sort of giving in and going with it that has to take place in order to find flow. I think most people who are creative for their profession would agree with this.

What worries me is if we are indeed over-medicating our children, what works of art, novels, inventions, machines, theorums and medical discoveries are we loosing forever? What is the cost of everyone being normal to society?


Wednesday, October 3, 2012

Physical Intelligence

I spent this weekend with my friend, Jenny and her family. Jenny and her husband are marine biologists, and both possess a temperament that is solid, grounded and real. For their work, they go out on tiny fishing boats for weeks at a time, studying marine life, catches and the environment. As you can imagine they are both very physical people.

Their son, Lincoln, is nearly 4. He is grounded in the world, so strong and present. Watching him in the playground, I sit on the edge of my bench as I see him fling his body off the highest reaches of the structure. Jenny and Warren sit calmly, not even flinching as he takes yet another dive, lands with a splat, picks himself up and carried on. This kid is tough.

I think the four of us share a specific physicality. We all relate through the world through touching, feeling, making, fixing, categorizing: pushing against things. We are all physically strong, the sort of people who 150 years ago would have made it across the Prairie in a covered wagon. 

We get into a conversation about university and how scary it is to raise the funds to send your kid there.  There's this belief these days that everyone HAS to get college degree- and with it the $150,000 price tag. I'm a child of academics, but I feel like this is bullshit for a lot of people. Instead, I think we should be elevating the Trades to a higher level.  I recognize that the trades used to be about class (upper classes went to explore their minds at the universities while the working classes were stuck in metal shop with a limited future).  My dad grew up very poor in Liverpool, and it's pretty much a miracle of class progress that he didn't end up a mechanic, and instead became a esteemed professor. That is definitely progress, and we should support it. But what of the kid who longs for making, fixing, tinkering, and is instead is pushed by everyone to go to college to theorize? Is one really catagorically better than the other, or are we just leaning up against unexplored classist beliefs? Matthew Crawford talks about this eloquently in Shop Class as Soulcraft.

If and when I have kids, I'm going to support them if they want to go to university, but it's not going to be required. I don't think you need it in order to be a fully realized person. Or, indeed, to make a good living. 


Monday, September 24, 2012

like living in the middle of the ocean

When I was 26, my sister and I went to Burning Man for the first time. We drove out there in a rental car with her boyfriend, wide eyed, excited and totally unprepared for what was about to happen to our lives (we would go many more times and build an incredible family of friends around it). My sister had made me a mix tape that summer, and on it was the song Central Reservation by Beth Orton.  It's just a silly pop song, but it reminds me of that time in my life- the feeling of open expanse that you get at dawn in the dessert after a night of partying. That feeling of open expansiveness that you feel when you are in your 20's.

It's funny, because that's exactly how Beth wrote that song,

"Apart from specific songs." Central Reservation, she recalls with a smile, the title track of her breakthrough 1999 album, "was written in Cartagena in Colombia after a different kind of night with no sleep. I had been doing what you do in Cartagena with some beautiful boy and snorting a stupid amount of coke and the song came from the joy of sitting in the sunshine the next day with a glorious hangover. I do remember that…"

Beth is forty now. She left the music biz 6 years ago after getting dropped from her label(she'd just had a baby), bought a farm in Norfolk, and raised her daughter as a single mum. She quit music... and then slowly learned the guitar and started writing again. She went through a bit of a dark, lonely time and then came out the other end and released a new album called Sugaring Season.

Today is my 38th birthday. It feels so strange to be this age. I'm not really sure I know how I'm supposed to act. Thirty-eight-- properly grown-up. A real adult. Nearly forty. Holy shit. Will there be more dawns after nights of dancing? Will there be more open expansiveness?

I certainly hope so.



Sunday, September 16, 2012

The Axeman Cometh

Sarah's new wardrobe
My sister and my friend Sarah have a lot in common. They are both sensitive, and by that I don't mean touchy, but that they are more engaged in the world than most people I know. They are the closest thing I know to real artists. Sarah is a writer and playwright, and Milla is a historian and painter. I love these two ladies for reals.

I don't know if it's a coincidence, but they both also struggle with the weight of things. To them, objects and clothes a lot of meaning. In contrast, I'm more unemotional... I try to keep what's loved, and let go of what's not (and I admit, sometimes I cull too much). They are hoarders, and I'm a purger. It's a perfect symbiotic relationship. I am their axe-man.

On Friday, Sarah and I attacked her bedroom. It took us about 7 hours. We were loving but strong. We culled. We sweated. We felt emotions. We pushed on. We saved (she now has a vintage box of her grandmothers treasures under her bed).  And under all those piles of clothes that didn't fit, were broken, had stains, or where just plain wrong, we discovered a beautiful collection clothes and shoes that she loves, that she looks amazing in, that are truly her.

Now her closet looks like a super-hip Williamsburg vintage store.

Wednesday, September 12, 2012

The Kitchen Sink



I was having drinks with my good friend and incredible writer the other night. We were sipping whiskey (she: bourbon, me: Jamesons) and pontificating. It was a well-needed chat after we'd both had a hard week, with lots of ups and downs and feelings.

My friend has recently hired a cleaning person for the first time in her life. Now, she supports herself completely and works harder than anyone I know in NY.  Plus, she still makes time to write and drink whiskey with friends. So, paying hard earned money for someone to come clean her place once a month is a big deal.

A while back, I'd mentioned a seemingly superficial practice I had to her and she told me that night how much of an impact it's had on her: The simple act of always cleaning the kitchen before you go to bed.

I recently discovered the joy of waking up to a clean kitchen. Those early morning moments when you're half awake, walking barefoot into the kitchen, putting the kettle on, setting up the coffee grinds in the french press. The light is grey and the sun is shining into the window. This is my ritual every morning and it brings me pleasure every day.

Sarah confessed to the fact that she'd always though tidy people just didn't have enough going on, that if they had time to tidy, then they weren't thinking deep thoughts. She believed in the concept of the tortured artist. Art through struggle, blah blah blah... and how can you do that with a spotless apartment. Surely mess equals artistic depth?

But then you experience the early morning clean sink, and a light bulb goes off. And the next night, as your washing those dishes and wiping down the counter, you're thinking of the future you (8-odd hours away) and how you're doing something nice for her. It's so simple and so dumb. You're giving yourself a gift.


And the amazing thing is, once you start doing this one simple good thing for yourself, other decisions follow. You start treating that future you like a friend.

Saturday, September 8, 2012

Beginner's luck


I've had the most amazing week. When my friends ask me about it, I throw my hands  up in the air and laugh, shaking my had with puzzled gratitude. I read somewhere recently (and for the life of me, I can't find where it was) this idea about beginners luck. The idea is that the universe, this beautiful, strange and mysterious thing we all live in, is actually rooting for us to succeed. It wants us to be on our authentic path, and so when you step onto it, it give you a little bump. It's way of saying, 'Yes, that way!'

Now, I'm not sure I'm really that spiritual, but something out-of-my-control is definitely happening. As a recovering control freak, seeing what happens when you let go of the steering wheel is amazing. Letting things unfold naturally, responding to opportunity and challenges, rather than pushing for it to be the way you think it should be. (Oh, that word Should is such a tricksy little bitch) It doesn't mean that you're not working, you're just not working against the tide.

My ex used to say I was lucky, and my blood would quietly boil. I'm not lucky! I would pout, I've worked hard to get where I am! Which is true from one point of view. But from another, perhaps luck is our way of explaining the phenomenon that seems like chance, but is actually the culmination of many years of working towards something. Perhaps it's a little like Malcomn Gladwell's theory on experts: It seems like they just 'know' when actually it's just knowing so well that the concious mind can step aside.

However it's happened, I'd like to say, Thank you Universe for the Bump. I appreciate it.

Here's some of the crazy shit that happened this week.